Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens USA

Name: Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens USA
Brand: Sony
SKU: SNYPXWFS7MII18135KK
Price: 12410.91 USD
Availability: InStock

SKU SNYPXWFS7MII18135KK

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Super 35-Sized CMOS Sensor
Locking Sony E-Mount
Integrated Electronic Variable ND Filter
DCI 4K (4096 x 2160) up to 59.94p
UHD up to 59.94 fps, HD up to 180 fps
XAVC-I/L, MPEG-2, XAVC up to 600 Mb/s
Supports Rec. 709 and BT-2020
Dual XQD Memory Card Slots
Dual HD/3G-SDI & HDMI Output
Ergonomic Handgrip with Camera Controls

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Features

Expanding on the original FS7,Sony's PXW-FS7M2 XDCAM Super 35 Camera Systemis a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinma Vrit"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.

Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.

The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm.

Sensor: The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.

Signal Processing: The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied.

Locking E-Mount: The PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support.

It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.

Electronic Variable ND: Behind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets.

Additionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes.

Magnesium Construction: The camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.

SmartGrip: The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment.

Redesigned Viewfinder and Mic Holder Mount: With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.

In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation.

Internal Recording: The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.

Media Card Slots: The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier.

Genlock and Timecode: Genlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.

UPC: 027242904699

Designed to satisfy 4K production requirements, theSony FE PZ 28-135mm f/4 G OSS Lensis a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system. The lens features a powered zoom control with a variable speed and zoom rotation direction reversal capability. Powering the zoom function is an SSM (Super Sonic wave Motor) drive that allows precision and quiet operation. Focus noise is also minimized through weight reduction of the focus element group and use of a linear motor. Iris function is also designed to be smooth and silent for cinematography demands.

Angle of view variations while focusing (breathing) and axial displacement while zooming have been reduced while five aspherical elements and three ED elements work with advanced multi-coating technology to minimize distortion and chromatic aberrations while also contributing to sharper overall imagery with enhanced contrast and clarity.

Independent control rings for zoom, focus, and iris (aperture) are provided for and the focus mode can be switched from auto to manual by sliding the focus ring forward so control is maintained at all times. All three control rings have been engineered to provide the right amount of torque for comfortable, responsive operation and the pitch of the scalloping on the rings has been designed for comfortable, slip-free control.

A constant f/4 maximum aperture offers consistent performance throughout the zoom range and is especially beneficial when working with greater zoom magnifications in low-light conditions. Also benefiting working in dim light or at the long end of the zoom range is Optical SteadyShot image stabilization, which works to minimize the appearance of camera shake by up to four shutter speed steps.

Powered 8-speed zoom provides a 28-135mm focal length range, covering wide-angle to telephoto perspectives

Power zoom designed for cinema productions and full frame cameras

Features Sony's original Nano AR Coating technology designed to effectively suppress reflections that can cause flare and ghosting. The precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than lenses with coatings that use an irregular nano-structure

Three control rings (for zoom, focus, iris) offer manual control for demanding large format productions. The focus mode can be switched from auto to manual simply by sliding the focus ring forward so control is maintained at all times. Zoom speed can be precisely controlled over a wide range, with zoom rotation direction reversal capability. All three control rings have been engineered to provide ideal torque for comfortable, responsive operation. Even the pitch of the scalloping on the rings has been designed for comfortable, slip-free control

Sony's advanced iris control and linear AF motor drive system achieve quiet focusing that is also extremely responsive. Part of the reason that focus control is so quiet is that original Sony linear motors are contactless, with no gears or mechanical coupling to generate noise

The world's first SSM (Super Sonic wave Motor) drive in a cinema lens for quiet zoom and smooth iris control

Maintains plane of focus while zooming and maintains field of view while focusing (important for video)

Delivers smooth tracking throughout the zoom range at any speed and eliminates any axial image shifting. Zooming is quiet as well as responsive thanks to advanced mechanical actuator design

Features an optical design and control technology inherited from Sony's professional camcorders that ensure no breathing while focusing

Constant f/4 maximum aperture enables greater consistency throughout the zoom range and benefits working in dim conditions with longer focal lengths

Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting and with greater zoom magnifications

Three extra-low dispersion elements and five aspherical elements helps to reduce chromatic aberrations and distortion throughout the zoom range while also contributing to overall image sharpness and clarity

UPC: 027242884915

Item Includes

Sony PXW-FS7M2 XDCAM Super 35 Camera System

Sony FE PZ 28-135mm f/4 G OSS Lens

Body Cap
Viewfinder
Eyepiece
Grip Remote Control
Wireless Adaptor Bracket
BC-U1 Battery Charger
BP-U30 Lithium-Ion Battery
2 x Power Cord
USB Cable
LCD Viewfinder Lens Hood
Limited 1-Year Warranty Parts

Specefications

Sony PXW-FS7M2 Specs

Image Device	Super 35mm Single-Chip Exmor CMOS
Effective Picture Elements	17:9 4096 (H) x 2160 (V) 16:9 3840 (H) x 2160 (V)
Signal-to-Noise Ratio	57 dB (Y)
Sensitivity	2000 lx, 89.9% reflectance T14 (3840 x 2160/23.98p mode 3200K) ISO Sensitivity ISO 2000 (S-Log3 Gamma D55 Light source)
Minimum Illumination	0.7 lux: +18 dB,23.98p,Shutter OFF,ND Clear, f/1.4
Signal System	NTSC / PAL
Built-in Filters	Clear, 1/4, 1/16, 1/64
LCD Monitor	3.5" / 8.8 cm Approx: 1.56M dots
Speaker	Monaural
Shutter Speed	1/3 to 1/9000 of a sec
White Balance	Preset Memory A Memory B (1500K-50000K)/ATW
Gain Selection	-3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve	STD HG User S-log3
Shooting Formats	4K 4096 x 2160 12-bit raw UHD 3840 x 2160 10-bit 4:2:2 XAVC-I 8-bit 4:2:0 XAVC-L 2K 2048 x 1080 12-bit raw HD 1920 x 1080 10-bit 4:2:2 XAVC-I 10-bit 4:2:2 XAVC-L MPEG2 4:2:2 HD 1280 x 720 MPEG2 4:2:2
Audio Recording Format	LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)
Recording Formats	XAVC-I QFHDMPEG-4 H.264/AVC 59.94P CBG, bit rate 600 Mb/s 50P CBG, bit rate 500 Mb/s 29.97P CBG, bit rate 300 Mb/s 23.98P CBG, bit rate 240 Mb/s 25P CBG, bit rate 250 Mb/s XAVC-I HDMPEG-4 H.264/AVC 59.94P VBR, maximum bit rate 222 Mb/s 50P VBR, maximum bit rate 185 Mb/s 59.94i VBR, maximum bit rate 111 Mb/s 50i VBR, maximum bit rate 112 Mb/s 29.97p VBR, maximum bit rate 111 Mb/s 23.98p VBR, maximum bit rate 89 Mb/s 25p VBR, maximum bit rate 112 Mb/s XAVC-L QFHDMPEG-4 H.264/AVC 59.94p/50p mode: VBR, maximum bit rate 150 Mb/s 29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s XAVC-L HD 50MPEG-4 H.264/AVC VBR, maximum bit rate 50 Mb/s XAVC-L HD 35MPEG-4 H.264/AVC VBR, maximum bit rate 35 Mb/s XAVC-L HD 25MPEG-4 H.264/AVC VBR, maximum bit rate 25 Mb/s MPEG-2 Long GOP CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL XAVC-I QFHD3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p XAVC-I HD 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p XAVC-L QFHD 50 3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p XAVC-L 35 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p MPEG-2 Long GOP 1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p 1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Recording Frame Rate	XAVC-I QFHD 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p XAVC-I HD 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p XAVC-L QFHD 3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p XAVC-L HD 50 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p XAVC-L 35 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p XAVC-L 25 1920 x 1080/59.94i, 50i MPEG-2 Long GOP MPEG HD422 1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p 1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Slow & Quick Motion Function	XAVC-I mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p) XAVC-I mode 1920 x 1080: 1 to 180 frames (59.94p, 29.97p, 23.98p) XAVC-I mode 1920 x 1080: 1 to 150 frames (50p, 25p) XAVC-L mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p) XAVC-L mode 1920 x 1080: 1 to 120 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
Maximum Recording Time	XAVC-I mode QFHD 59.94p When using QD-G128A (128 GB): Approx. 22 minutes When using QD-G64A (64 GB) Approx. 11 minutes XAVC-I mode QFHD 50p When using QD-G128A (128 GB): Approx. 26 minutes When using QD-G64A (64 GB) Approx. 13 minutes XAVC-I mode QFHD 29.97p When using QD-G128A (128 GB): Approx. 44 minutes When using QD-G64A (64 GB) Approx. 22 minutes XAVC-I mode QFHD 23.98p When using QD-G128A (128 GB): Approx. 55 minutes When using QD-G64A (64 GB) Approx. 27 minutes XAVC-I mode QFHD 25p When using QD-G128A (128 GB): Approx. 52 minutes When using QD-G64A (64 GB) Approx. 26 minutes XAVC-I mode HD 59.94p When using QD-G128A (128 GB): Approx. 59 minutes When using QD-G64A (64 GB) Approx. 30 minutes XAVC-I mode HD 50p When using QD-G128A (128 GB): Approx. 71 minutes When using QD-G64A (64 GB) Approx. 35 minutes XAVC-I mode HD 59.94i When using QD-G128A (128 GB): Approx. 118 minutes When using QD-G64A (64 GB) Approx. 59 minutes XAVC-I mode HD 50i When using QD-G128A (128 GB): Approx. 141 minutes When using QD-G64A (64 GB) Approx. 70 minutes XAVC-I mode HD 29.97p When using QD-G128A (128 GB): Approx. 118 minutes When using QD-G64A (64 GB) Approx. 59 minutes XAVC-I mode HD 23.98pM/b> When using QD-G128A (128 GB): Approx. 147 minutes When using QD-G64A (64 GB) Approx. 74 minutes XAVC-I mode HD 25p When using QD-G128A (128 GB): Approx. 141 minutes When using QD-G64A (64 GB) Approx. 70 minutes XAVC-L mode QFHD 59.94p/50p When using QD-G128A (128 GB): Approx. 87 minutes When using QD-G64A (64 GB) Approx. 44 minutes XAVC-L mode QFHD 29.97p/23.98p/25p When using QD-G128A (128 GB): Approx. 131 minutes When using QD-G64A (64 GB) Approx. 66 minutes XAVC-L 50 mode When using QD-G128A (128 GB): Approx. 262 minutes When using QD-G64A (64 GB) Approx. 131 minutes XAVC-L 35 mode When using QD-G128A (128 GB): Approx. 374 minutes When using QD-G64A (64 GB) Approx. 187 minutes XAVC-L 25 mode When using QD-G128A (128 GB): Approx. 524 minutes When using QD-G64A (64 GB) Approx. 262 minutes MPEG HD422 mode When using QD-G128A (128 GB): Approx. 262 minutes When using QD-G64A (64 GB) Approx. 131 minutes
Media Card Slots	2 x XQD 1 x SD (for configuration data only)
Input and Output Connectors	Audio Input 2 x 3-pin XLR Line/mic/mic +48 Mic Reference: -40. -50. -60 dBu SDI Output 2 x BNC HD/3G-SDI SMTPE292M/424M/425M HDMI 2.0 1 x Type A USB USB device, miniB Headphone 1 x Stereo mini jack -16 dBu 16 Ohms Remote Stereo mini jack (?2.5 mm)
Accessory Shoe	Multi-Interface (MI) shoe
Power Requirement	12 VDC
Power Consumption	Approx. 19 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Battery Operating Time	BP-U30: Approx. 1 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device BP-U60: Approx. 2 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device BP-U90: Approx. 3 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
Temperature	Operating: 32 to 104F / 0 to 40C Storage: -4 to 140F / -4 to 140C
Dimensions (WxHxD)	6.14 x 9.41 x 9.72" / 156 x 239 x 247 mm
Weight	4.4 lb / 2.0 kg: Body Only 9.9 lb / 4.4 kg: Body, Viewfinder, Eyepiece, Grip Remote Control, BP-U30 Battery, SELP28135G Lens, an XQD Memory card

Packaging Info
Package Weight	12.65 lb
Box Dimensions (LxWxH)	15.7 x 13.5 x 12.5"

Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens USA